Blogger extraordinaire Michele Tracy Berger has a wonderful site "The Practice of Creativity" with nice tips on leading the artist's life. I'm honored that she asked me a few questions about my novel "The Half-Life of Home" and writing in general.
What’s your best writing tip?
Play hard in the dark. Remember the primal exhilaration of running free through woods and fields on a moonlit night, feeling a howl coming up your throat? Good. Write like that. We are the boy who cried Wolf.
Remember that writing fiction is not a rational activity at this stage of Late Capitalism and celebrity culture. Very few people will listen, but I can’t think of a more serious game.
Can you name the moment that you felt you were really a fiction writer and did it come before or after publication?
Sorry. In some ways, I’m still waiting for that feeling, that moment of “I’ve arrived, I’ve made it into the published author’s club, someone’s going to give me the secret handshake now.”
Ain’t going to happen. If you keep writing, you keep failing. As Beckett said, fail better.
You have to remember the advice Rilke gave his young poet friend who kept pestering him about publications, which are the right magazines, what’s the right agent, etc. Quit asking those questions. Those aren’t the most important ones. Learn to interrogate your dreams rather than your ambitions.
What’s the less glamorous side of a published writer’s life that aspiring writers often don’t see?
Glamor is a word better associated with films. Writers, I don’t think, are performers in that sense. The life of a writer is not glamorous. Don’t get me wrong. It’s extraordinary to meet and talk with readers who love good fiction, but the real payoff is on the page: repeatedly sitting down and putting one word after another into sentences, paragraphs, chapters, books until you simulate the real world. You get to meet both your best and worst selves on that page if you persist.
How has your career as a journalist supported your work as a creative writer?
Well, it’s certainly paid for the groceries and light bill along the way, and for that I’m most grateful to be among that dwindling tribe of American journalists. It’s also taught me to be continually curious, which of course helps when you’re researching facts that often seem surreal or imagining fictions that seem real. Journalists work hard to grasp and say things very quickly. Novelists have to work equally hard to say what can only be said slowly, now the passage of time shapes character.
Read more at Michele's blog http://micheleberger.wordpress.com/
Novelist, journalist, aficionado of all things Appalachian.